Doom: Annihilation 2019 Film turkce

Doom: Annihilation Film turkce 2019

süre : 153 tutanak tutmak Votum
oy müzik parçası : 0.4/10 (00638 oy kullanmak)
kabiliyet : MP4 1440p
Blu-ray
incelemek : 2917
sanat : , Angst
dil : NI,TK,IM,GE,JO,MN,BE,KG,AFG, PAK, LTU, JOR, GBR
saymak : 1.2/10 (39220 Wählerstimme)

Doom: Annihilation 2019 Film turkce

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This actually was somehow better than I had being expecting based on that trailer. But it still **very** bad. Makes me miss the last _Doom_ movie, which is... a devastating burn.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
Not terrible but by no means very good either. It was at least competently made with some okay production design (perhaps cobbled together from other sci-fi horror movies) and I did like a couple of the actors (Amy Manson primarily) but otherwise it's another poor attempt to adapt the video game series to film, that looks more like Resident Evil meets every other zombie/monster movie that has come before. **1.75/5**

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[HD] Doom: Annihilation 2019 Film turkce

Kısa film

Harcandı : $188,529,835

Gelir : $587,206,886

Kategoriler : Wandern - Familie , Film Animation - Werbung , Logik - Waste , ParParties - Trennung

Üretici Ülke : Guyana

Prodüksiyon : Ideatoscana

Doom: Annihilation follows a group of space marines as they respond to a distress call from a base on a Martian moon, only to discover it’s been overrun by demonic creatures who threaten to create Hell on Earth.
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Big Daddy 1999 Film turkce

Big Daddy Film turkce 1999

süre : 165 dakika Stimmen,

karar rakam : 5.7/10 (76771 oy vermek)
vasıf : DAT 1440p
Blu-ray
manzara : 6651
hüner : Tierangriff , Flucht
lisan : NE,VE,TJ,JE,GR,NA,EG,TR,FIN, SGP, TON, SOM, SYR
müzik parçası : 5.6/10 (32143 Wahlresultat)

Big Daddy 1999 Film turkce

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[HD] Big Daddy 1999 Film turkce

Kısa film

Harcandı : $665,128,124

Gelir : $740,675,528

Kategoriler : Verantwortung - initiativ Klassische Verzweiflung , Himmel - Bibliothek , Europa - Poesie , Verantwortung - epidiktisch

Üretici Ülke : Kenia

Prodüksiyon : Fantom Mechanic

A lazy law school grad adopts a kid to impress his girlfriend, but everything doesn't go as planned and he becomes the unlikely foster father.
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Bombshell 2019 Film turkce

Bombshell Film turkce 2019

süreç : 187 tutanak tutmak Wählerstimme
karar miktar : 1.1/10 (80453 oy kullanmak)
yetenek : M4V 1080p
WEB-DL
görmek : 6742
şeytanlık : Ändern , Docudrama
lisan : GS,GD,EC,SB,MY,TH,IL,SL,VGB, PSE, SPM, CUB, MAF
hoş şey : 0.2/10 (75905 Votum)

Bombshell 2019 Film turkce

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The best way to sum up ‘Bombshell’ is that it's a story that needs to be remembered and told, yet the film we got is good but not great. While all the acting is phenomenal - especially the leads - and makeup fantastic, the story, filmmaking and editing are uncreative and thus fail to hit the home run that this should have been. Having said that ‘Bombshell’ is still one to watch, if only to be reminded of what is still happening to women today - not just in Hollywood, but all around the world.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-bombshell-an-important-yet-uninspired-look-at-fox-news-sex-scandal
**_A well-acted film about the human cost of bullying and sexual harassment_**

>_11.On or about September 3, 2009, Carlson complained to her supervisor that one of her co-hosts on_ Fox & Friends_, Steve Doocy, had created a hostile work environment by regularly treating her in a sexist and condescending way, including by putting his hand on her and pulling down her arm to shush her during a live telecast._

>_12.Doocy engaged in a pattern and practice of severe and pervasive sexual harassment of Carlson, including, but not limited to, mocking her during commercial breaks, shunning her off_ _air, refusing to engage with her on air, belittling her contributions to the show, and generally attempting to put her in her place by refusing to accept and treat her as an intelligent and insightful female journalist rather than a blond female prop._

>_13.After learning of Carlson's complaints, Ailes responded by calling Carlson a "man hater" and "killer" and telling her that she needed to learn to "get along with the boys."_

>[...]

>_20.On those occasions when he spoke directly with Carlson, Ailes injected sexual and/or sexist comments and innuendo into their conversations by, among other things:_

>_a. Claiming that Carlson saw everything as if it "only rains on women" and admonishing her to stop worrying about being treated equally and getting "offended so God damn easy about everything."_

>_b. Describing Carlson as a "man hater" and a "killer" who tried to "show up the boys" on_ Fox & Friends_._

>_c. Ogling Carlson in his office and asking her to turn around so he could view her posterior._

>_d. Commenting that certain outfits enhanced Carlson's figure and urging her to wear them every day._

>_e. Commenting repeatedly about Carlson's legs._

>_f. Lamenting that marriage was "boring," "hard" and "not much fun."_

>_g. Wondering aloud how anyone could be married to Carlson, while making sexual advances by various means, including by stating that if he could choose one person to be stranded with on a desert island, she would be that person._

>_h. Stating "I'm sure you [Carlson] can do sweet nothings when you want to."_

>_i. Asking Carlson how she felt about him, followed by: "Do you understand what I'm saying to you?"_

>_j. Boasting to other attendees (at an event where Carlson walked over to greet him) that he always stays seated when a woman walks over to him so she has to "bend over" to say hello._

>_k. Embarrassing Ms. Carlson by stating to others in her presence that he had "slept" with three former Miss Americas but not with her._

>_l. Telling Carlson that she was "sexy," but "too much hard work."_

- Extract from Gretchen Carlson's sexual harassment lawsuit against Roger Ailes (July 6, 2016)

>_Some of the women that are complaining, I know how much he's helped them. And even recently. And when they write books that are fairly recently released, and they say wonderful things about him. Now, all of a sudden, they're saying these horrible things about him. It's very sad. Because he's a very good person. I've always found him to be just a very, very good person._

- Donald Trump; _Meet the Press_ (July 23, 2016)

>_Today America lost one of its great patriotic warriors. Roger Ailes. For Decades RA's has impacted American politics and media. He has dramatically and forever changed the political and the media landscape singlehandedly for the better. Neither will ever be the same again as he was a true American original. Few people in this life will ever reach the profound level of impact that Roger Ailes had on the country every single day. As his opponents played checkers in life, Roger was always the strategist, playing Chess 5 steps ahead at a whole other level._

- Sean Hannity (via Twitter; May 18, 2017)

>_I was asked to do the spin. God help me, I did it. I know people think it's like, "Oh, you had to spin around", but I remember feeling like, "I put myself through school. I was offered partnership at Jones Day, one of the best law firms in the world. I argued before federal courts of appeal all over the nation. I came here. I'm covering the United States Supreme Court. I graduated with honours from all of my programs and now he wants me to twirl?" And I did it. If you don't get how demeaning that is, I can't help you._

- Megyn Kelly; "Megyn Kelly Presents: A Response to _Bombshell_" (January 9, 2020)

I've seen _Bombshell_ described as a docudramedy – a portmanteau if ever there was one, that essentially refers to a true story (docu) that's half drama (dram) and half comedy (edy). It's a relatively new subgenre that a lot of critics seem to be tracing back to Adam McKay's _The Big Short_ (2015) and _Vice_ (2018). And whilst Bombshell definitely takes inspiration from McKay's work, I think the real antecedent is Oliver Stone's 90s films. Granted, Stone never made what could be called a docudramedy – _The Doors_ (1991), _JFK_ (1991), _Heaven & Earth_ (1993) and _Nixon_ (1995) are docudramas, whereas _Natural Born Killers_ (1994) and _U Turn_ (1997) are dramedies. However, what all six films have in common, and this is where they're important to the modern docudramedy subgenre, is stylistic snappiness, unrelenting energy, visual hyperactivity, and editing rhythms that could give you seizures. And so too _Bombshell_. At least initially. And although it shares a lack of subtlety with McKay's _The Big Short_, and a lack of factual insight with _Vice_, _Bombshell_ is entertaining, brilliantly acted, and paints a horrifying picture of workplace bullying and sexual harassment. Sure, it'll be yet more evidence for the right that leftist Hollywood is incapable of partiality, but really, if you're the type of person prone to believing the propaganda machine that is Fox News, what are you even doing watching the movie in the first place?

The story begins in August 2015 during the first Republican presidential debate. Co-moderating the debate is Megyn Kelly (Charlize Theron completely disappearing into the role), the host of Fox News's _The Kelly File_, who asks candidate Donald Trump (then considered a highly unlikely winner), about his history of misogynistic comments. Pointing out he has called women whom he dislikes "_fat pigs_", "_dogs_", "_slobs_", and "_disgusting animals_", she asks, "_does that sound to you like the temperament of a man we should elect as president_". The following day, Trump proves her point during an interview with CNN by throwing a tantrum and claiming, "_she gets out there and she starts asking me all sorts of ridiculous questions, and, you know, you could see there was blood coming out of her eyes, blood coming out of her wherever_". And so, much to her chagrin, Kelly finds herself the focus of the headlines. Initially, Fox News president Roger Ailes (a superb John Lithgow), supports her, telling her that the exchange was "_great TV_", but as time goes on, and Trump's popularity continues to rise, Ailes's begins to grow concerned about Kelly's attitude. Meanwhile, in June 2016, after saying that she supports the assault rifle ban, Gretchen Carlson (Nicole Kidman), is fired from her show _The Real Story_. Carlson had been a co-host on the highly-rated _Fox & Friends_ until 2013, when she complained about sexist treatment by her co-hosts, and was demoted to a show in a less desirable timeslot. Fully expecting to be fired, she had already contracted a legal team, with the intention of filing a suit not against Fox, but against Ailes personally, who she claims sexually harassed her for years. However, she's told that the suit can only be successful if she can find others willing to corroborate his behaviour. But with the women of Fox urged to support Ailes (including wearing t-shirts proclaiming their loyalty), will anyone stand with Carlson? Elsewhere, the young and idealistic "_millennial evangelical_" and "_Jesus influencer_" Kayla Pospisil (Margot Robbie playing a composite character) is hired as a research assistant for _The O'Reilly Factor_. Determined to rise through the newsroom, she engineers a private meeting with Ailes, but is horrified when she discovers exactly what he means when he says he will need evidence of her "_loyalty_".

The film also features Pospisil's (fictional) mentor Jess Carr (Kate McKinnon); Ailes's wife, Beth (Connie Britton); Kelly's husband Douglas Brunt (Mark Duplass); Kelly's (fictional) producer Gil Norman (Rob Delaney); Ailes's lawyers Susan Estrich (Allison Janney) and Rudy Giuliani (Richard Kind); Fox News founder and owner Rupert Murdoch (Malcolm McDowell); Murdoch's sons, Lachlan (Ben Lawson) and James (Josh Lawson); Carlson's lawyer Nancy Smith (Robin Weigert); Kelly's (fictional) research assistants Lily Balin (Liv Hewson) and Julia Clarke (Brigette Lundy-Paine); Fox general counsel Gerson Zweifach (Andy Buckley); former Fox correspondent Rudi Bakhtiar (Nazanin Boniadi), who accused anchor Brian Wilson (Brian d'Arcy James) of sexual harassment in 2007 and was subsequently fired; Ailes's (fictional) secretary Faye (Holland Taylor); and, often in the form of single scene cameos, Fox News employees Bill Shine (Mark Moses), Dianne Brandi, (Amy Landecker), Martha MacCallum (Elisabeth Röhm), Ainsley Earhardt (Alice Eve), Alisyn Camerota (Tricia Helfer), Geraldo Rivera (an unrecognisable Tony Plana), Sean Hannity (Spencer Garrett), Bret Baier (Michael Buie), Neil Cavuto (P.J. Byrne), Kimberly Guilfoyle (Bree Condon), Bill O'Reilly (Kevin Dorff), Abby Huntsman (Ashley Greene), Chris Wallace (Marc Evan Jackson), Juliet Huddy (Jennifer Morrison), Julie Roginsky (Ahna O'Reilly), Harris Faulkner (Lisa Canning), Irena Briganti (Brooke Smith), Jeanine Pirro (Alanna Ubach), and Greta Van Susteren (Anne Ramsay).

Written by Charles Randolph (_The Life of David Gale_; _The Interpreter_; _Love & Other Drugs_) and directed by Jay Roach (_Austin Powers: International Man of Mystery_; _Meet the Parents_; _Game Change_), _Bombshell_ is the third major retelling of the Ailes saga in the last couple of years, following Alexis Bloom's documentary, _Divide and Conquer: The Story of Roger Ailes_ (2018) and the Showtime miniseries _The Loudest Voice_ (2019), which might go some way to explaining the film's disappointing box office (although I'm sure some will throw around the ridiculous "_get woke, go broke_" phrase). None of the principal characters, including Kelly and Carlson, were involved with the filmmaking at any point, and neither Theron nor Kidman consulted either woman. Carlson has not yet seen the film, and although Kelly originally said she might not watch it, in January 2020, she posted a video to her YouTube channel featuring herself, her husband, Rudi Bakhtiar, Juliet Huddy, and former Fox News producer Julie Zann, recorded immediately after a screening. Kelly praised the film's general accuracy, although she also noted that on occasion, it veered toward victim blaming, suggesting that certain scenes screamed out they were "_written by a man_".

The fall of Roger Ailes preceded the first accusations against Harvey Weinstein (October 2017) and the birth of the #MeToo movement by over a year. When Carlson first files her suit, not a single woman comes forward to support her (although, ultimately over 20 would), and one imagines that had this happened _after_ Weinstein, the situation would have been markedly different. Indeed, the film shows people such as Jeanine Pirro (perhaps the most militantly insane of Fox's cabal of instability) organising a kind of reverse picket line that seeks to discourage women from accusing Ailes (or Bill O'Reilly) of anything inappropriate, and isolating them if they do so (the "I stand with Roger" t-shirts are her idea). This depiction of the nature of sexual harassment in a male-dominated and female-enabled corporate arena is chillingly effective. In one particularly disturbing scene, we see a young female journalist go out for dinner with her male boss, and when he offers her career advancement in return for sex, her reaction is to pretend she doesn't understand what he means, then pretend it's not happening, and finally to apologise to him ("_I'm sorry if I've given you the impression that our relationship could be anything but professional_"). In this environment, women are the victims whether they resist or submit – resist, and they risk their job; submit, and they lose their self-respect. A more toxic environment is hard to imagine.

With that in mind, _Bombshell_ is certainly not a subtle film, but it doesn't try to be. Roach is not trying to engage in an even-handed examination of partisan politics, nor even look at the monolithic political ideology of Fox News itself. Sure, it features lines such as Ailes claiming, "_news is like a ship, you take your hands off the wheel and it pulls hard to the left_", whilst Carr states the main goal of Fox News is to "_frighten and titillate_" rather than report facts, but these are the exceptions in a reasonably apolitical film. Roach knows that 99% of his audience will already agree that Fox News is a dangerous, hate-filled, xenophobic, propaganda machine, so he makes little effort to depict the network's political leanings. Instead, the film is about self-loathing, fear, and anxiety – it's about workplace bullying and the human cost of sexual harassment.

This is a crucial point, because the three women at the film's centre (Kelly, Carlson, and Pospisil) are not a left-wing sisterhood. They're not even friends (the trio share only a single scene, and it's without dialogue); they're not a rebellious group of bra-burning feminists, they're right-wing conservatives who helped create the toxically boorish system under which they now find themselves oppressed. True, the film is probably a little too silent on their politics, especially Kelly (more on this in a moment), but the point is that politics are fairly irrelevant – sexual harassment is sexual harassment, and your politics, religious beliefs, race, and gender are all beside the point (unless, of course, you're the type of moron who believes a woman who dresses sexy is "_asking for it_", in which case you probably feel Carlson and women like her got what they deserved). At the same time, the film doesn't portray Ailes as an irredeemable monster, at least not at first. Indeed, when we meet him, he's commending Kelly for her handling of Trump, and the impression is that the relationship between the two is one of respect and genuine fondness, with Ailes even going as to say, in a fatherly way, "_I'm proud of you, Megyn_". The point is, this is not an anti-Republican diatribe. It's the exposé of a man who was a Republican.

Aesthetically, _Bombshell_ is something of a strange creature. The rapidly edited, stylistically hyperactive first half-hour or so is vintage McKay; a deeply self-reflexive almost meta-comedy. For example, one of the earliest scenes sees Theron break the fourth wall and address the audience as she gives us a tour of Fox News. Another moment sees Carr telling Pospisil that some people watch the channel so much, the logo has burnt onto their TV screens, at which point the Fox logo appears in the corner of the screen, remaining there for the rest of the scene. However, once the groundwork has been laid, Roach shifts tones completely and moves into fairly standard factual drama territory, which has the effect of making the first act feel somewhat isolated and incongruous, setting us up for a film which never arrives, particularly concerning the fourth-wall break (the only scene of its kind in the film).

On the other hand, the film's triptych narrative structure works very well. It's not an even divide (this is Kelly's film before it is Carlson's or Pospisil's), but it does allow Roach to dramatise just how much Ailes looks on his female staff as commodities. Carlson is the washed-up former beauty queen who no longer holds his interest; Kelly is the current flavour of the month, still beautiful, still popular; Pospisil is the future, young, vital, keen, and in awe of the man himself, as all women should be – for every Carlson, there's a Kelly to replace her, and for every Kelly, there's a Pospisil waiting in the wings, ready for grooming.

From an acting perspective, there's not a weak link, with Theron especially impressive. Normally, she looks nothing like Kelly, but through posture, mannerisms, wardrobe, a scratchy voice, and the subtle prosthetic genius of Kazu Tsuji (who turned Joseph Gordon-Levitt into a young Bruce Willis for Rian Johnson's _Looper_, and Gary Oldman into Winston Churchill for Joe Wright's _Darkest Hour_), the actress disappears into the character, who she plays as steely and often remote, but fiercely passionate and intelligent. Is it as good as her work in Patty Jenkins's _Monster_ (2003)? Not quite. But it's still a deeply impressive performance that transcends mere imitation.

The other standout is Lithgow, whose performance is fascinatingly modulated. Introduced in a scene designed to show his fatherly protective side, Lithgow initially portrays Ailes as a flawed human being – all too aware that he's losing a battle with age, but ironically resigned to his physical appearance not being what it once was. It's only later that the actor lets the monster out of the box. One particular scene, which is both his and Robie's best, and the dark heart at the centre of the film, sees him asking an increasingly uncomfortable Pospisil to hike her skirt higher and higher, to the point where her underwear becomes visible, as he becomes increasingly aroused, indicated by nothing but his breathing. It's an exceptionally well-staged and nauseating scene which gets to the film's core – the humiliation aspect of sexual harassment. Like rape, it's not about sex (at least, not entirely), it's about power, dominance, and submission. It's about ego. Ailes knows that if women like Pospisil value their job, they'll submit, just as they have done for men like him throughout history. As he sees it, ambitious women will always need powerful men, and he behaves as he deems appropriate within that paradigm.

As for problems, I mentioned earlier that the film might be too silent on some of Kelly's history. I understand where Roach is coming from on this; to feature scenes which seem designed to depict her in a less than favourable light could run perilously close to victim-blaming – kind of a "_who cares if she was harassed, she's a racist_" argument. So whilst I agree in principle, I think that in practice, Roach errs in the other direction. If you knew nothing about these events, you'd be forgiven for thinking the only controversy Kelly ever encountered in her time at Fox was asking Trump about misogyny. There's no mention, for example, of her infamous "_Jesus was a white man_" comment from 2013. Granted, it doesn't have much to do with the story at hand, but my point is a general one. The film's Kelly is almost virginal, without blemish. Making her character more rounded, more flawed, more (dare I say it) right-wing, would have served both the character and the story, and actually helped rather than hindered Roach's argument that politics don't matter in relation to sexual harassment. On the other hand, the film _does_ address the fact that Kelly knew about Ailes for years before Carlson was fired, and it takes her to task for not doing anything with that knowledge, with one character rightly pointing out that if she had done something earlier, other victims would have been spared. Interestingly enough, this was the scene Kelly herself felt crossed the line into victim-blaming – make of that what you will.

Another issue is that the tonal shift at the end of the first act is very strange, as Roach abandons the hyperactivity of the opening and settles into a far more conventional style – a transition he doesn't entirely pull off. He also makes the strange decision to mix archival footage of the real Ailes with Lithgow's performance during this first act, which somewhat shatters the film's performative universe.

Ultimately, _Bombshell_ will probably anger some for its refusal to really comment on how Ailes's accusers were part of the problem for a long time, propping up, excusing, and validating the system behind which he operated. However, to take this route is to suggest that because they elected not to rock the boat earlier in their careers, they don't deserve much sympathy. And anyone who knows anything about feminism or #MeToo will tell you that is absolutely _not_ the case. Certainly, in the case of Kelly, the opportunity for her to explain why she stayed silent for so long is available, but is never availed of. But is that a fault of the filmmakers or a reflection on the actual person's reluctance to take that particular journey inward? Sure, the film is at pains to avoid showing either Carlson or Kelly as in any way complicit in creating the hideously outdated patriarchy at Fox (as opposed to many of the network's other female employees, who seem to be fair game). But this is by design. Were _Bombshell_ a story about Fox News, such things ought to be examined. But it isn't. It's a story about humiliation and bullying, a story that says people do not deserve such treatment, no matter their race, religion, or politics.

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[HD] Bombshell 2019 Film turkce

Kısa film

Harcandı : $852,298,703

Gelir : $894,215,347

Kategoriler : Innerer Frieden - die Gelegenheit , Ethik - Tapferkeit , These - Super Heroes gesunder Menschenverstand , Blaxploitation - Frühling

Üretici Ülke : Irland

Prodüksiyon : Make Productions

Bombshell is a revealing look inside the most powerful and controversial media empire of all time; and the explosive story of the women who brought down the infamous man who created it.
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In Time 2011 Film turkce

In Time Film turkce 2011

devam : 179 saat tutmak Stimmabgabe
önerme adet : 2.1/10 (84507 oy vermek)
kabiliyet : Sonics-DDP 1440p
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hüner : Frühling , Wirtschaft
dil : EH,TK,BB,IE,IQ,SA,CY,MR,SWE, BIH, JPN, LUX, NRU
katılmak : 2.9/10 (96025 Wählerstimme)

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[HD] In Time 2011 Film turkce

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Kategoriler : Samurai - einfallsreich , Reiche Vize-Regierung - Mutter Stolz Apokalypse , Wirtschaft - Identität , Verrat - Battlefield

Üretici Ülke : Mazedonien

Prodüksiyon : MaXaM Productions

In the not-too-distant future the aging gene has been switched off. To avoid overpopulation, time has become the currency and the way people pay for luxuries and necessities. The rich can live forever, while the rest try to negotiate for their immortality. A poor young man who comes into a fortune of time, though too late to help his mother from dying. He ends up on the run from a corrupt police force known as 'time keepers'.
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Coraline 2009 Film turkce

Coraline Film turkce 2009

süreklilik : 125 saat tutmak Stimmabgabe
karar hoş şey : 2.1/10 (81058 önermek)
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şeytanlık : Rede , Filmgeschichte
dil : SG,IQ,FR,GG,LT,GA,BQ,MS,GRC, UKR, BEL, PAN, EST
sayı saymak : 5.0/10 (33238 Stimme)

Coraline 2009 Film turkce

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Neil Gaiman is so contemporarily vital, both in literature and cinema, because he more than anyone else (with the possible exception of Terry Gilliam) notes that children and adults alike are fascinated with what lies outside our observable and tangible realms of existence. He realized the reasons storytelling have been significantly important since the dawn of mankind, and devised, as the Brothers Grimm did, that fairy tales and children's stories had to be haunting and entertaining to be both memorable and timeless. This is a great film depicting the growing sense as a child approaches adolescence that their parents and their world aren't exactly as they seem, and that through their trials and tribulations (the 'rites of passage', if you will) they'll reach the 'happy medium' they need to in order to find true happiness in their lifetimes.

I definitely hope that all of Gaiman's books and graphic novels are made into movies (I most anticipate the 'Miracleman' graphic novels--both those by him and Alan Moore). Ones so well-written would truly be 'comic book movies' worth watching for me.
Quite dark, but entertaining and very well done. One of the few american animated movies I liked.

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[HD] Coraline 2009 Film turkce

Kısa film

Harcandı : $580,969,527

Gelir : $537,910,167

Kategoriler : Gehirn - Du Son , Marketing - Poesie , Philosophie - Tapferkeit , Tod - Césarisé

Üretici Ülke : Senegal

Prodüksiyon : Intel Films

When Coraline moves to an old house, she feels bored and neglected by her parents. She finds a hidden door with a bricked up passage. During the night, she crosses the passage and finds a parallel world where everybody has buttons instead of eyes, with caring parents and all her dreams coming true. When the Other Mother invites Coraline to stay in her world forever, the girl refuses and finds that the alternate reality where she is trapped is only a trick to lure her.
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War for the Planet of the Apes 2017 Film turkce

War for the Planet of the Apes Film turkce 2017

süreklilik : 146 tutanak tutmak Abstimmung
oylama numara : 4.5/10 (58069 oy vermek)
özellik : Dolby Digital 1080p
Blu-ray
manzara : 7359
yaratıcılık : Behälter , Krieg
mesleki dil : MA,RS,US,KP,BR,IE,VE,VI,BGR, KAZ, MNG, CAF, SLB
tip : 4.2/10 (03333 Stimmabgabe)

War for the Planet of the Apes 2017 Film turkce

War for the Planet of the Apes Film turkce-sinema-fiyatları-1440p-2017-film-ganzer film-stream hd-MPEG-2-auf englisch-Sonics-DDP-Dolby Digital-MPEG-2-online anschauen-1440p.mp4

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Excellent trilogy

Most Hollywood remakes/reboots are failed cash grabs. They are pale imitations of the superior originals. But the new Planet of the Apes trilogy surprises in that it trumps all the previous Apes films--those from the 60's and 70's as well as the Tim Burton 2001 misfire. Caesar still leads the intelligent apes against the human forces who want to eradicate them. Caesar even shows mercy to some of his human captives, but the humans who fear the apes will not relent in their attempts to destroy them. The movie is driven largely by Andy Serkis's superb portrayal of Caesar. He is a complex and intriguing character. Woody Harrelson is also very good as the villain. His character is no generic, stock bad guy. He's layered and you may even surprisingly feel some sympathy for him. A great and thought provoking popcorn flick.
On this movie I have to get a couple of things out of the way straight away.

First, the movie title and the blurb is hyperbole that has little to do with actual events in the movie. This is not some great war but just some silly little three way skirmish between some apes and two human factions.

Second, the story for this movie is clearly written by someone who has an agenda and that agenda includes preaching how bad the white man is.
Not surprisingly the result is bland, boring, frustrating and not very entertaining.

I thought Dawn of the Planet of the Apes was mildly entertaining. Mostly due to the special effects. I thought Rise of the Planet of the Apes was okay. Again due to the special effects and because it had a fair amount of action. War for the Planet of the Apes do have decent special effects but nothing else. Add the obvious political agenda and the movie goes straight into a nose dive.

The humans in the movie are stereotypical bad people and the apes are victims whether they are actually good apes or just asshole apes. There’s some decent action in the beginning and some at the end. In between we are “treated” to a slew of emotional scenes (or at least I suppose that’s what they were supposed to be) were Ceasars grief and the evil of man are force fed down our throats.

Not surprisingly the movie ends, which it of course do not do until all humans in sight are killed off for no good reason, with the apes finding their little part of heaven all shown in warm and rosy colors. Close curtain…thank good!

I was not expecting much from this movie but this was a typical Hollywood-with-an-agenda-movie. That is, not a good movie as far as I am concerned.
The title _War for the Planet of the Apes_ is perhaps a misnomer, and it doesn't necessarily build the legend in the way I was expecting it to, but a worthy threequel it still makes, and blockbuster trilogy with no bad entries is a rare thing to see.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

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[HD] War for the Planet of the Apes 2017 Film turkce

Kısa film

Harcandı : $620,362,973

Gelir : $704,109,315

Kategoriler : Stück Leben - Abenteuer , Trivia - Tyranny , Reiche Vize-Regierung - Sommer , Fotografie - Ethnografisch

Üretici Ülke : Monaco

Prodüksiyon : Rucksack Productions

Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet.
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Braven 2018 Film turkce

Braven Film turkce 2018

devam : 196 saat tutmak Stimmen,

önerme numara : 3.0/10 (50285 oy vermek)
bünye : MP4 720p
WEB-DL
görüş alanı : 8837
şeytanlık : Bescheidenheit , Verrückt
mesleki dil : NG,BW,SM,KN,BG,BE,LU,KW,ERI, ARG, BIH, GIB, KHM
müzik parçası : 4.7/10 (43293 Wahlstimme)

Braven 2018 Film turkce

Braven Film turkce-turkce-dublaj-ızle-stream-2018-stream-MPEG-online stream-720p-MPEG-2-Sonics-DDP-MPEG-ganzer film-auf englisch-AVCHD.mp4

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[HD] Braven 2018 Film turkce

Kısa film

Harcandı : $569,256,161

Gelir : $397,354,323

Kategoriler : Jungs Prähistorisch - Freundschaft , Werwolf - Impressionist Lernen Judicial Floors Wildlife Film , Marketing - Neid , Ethik - Schauplätze

Üretici Ülke : Singapur

Prodüksiyon : Insano Productions

A logger defends his family from a group of dangerous drug runners.
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Joy 2015 Film turkce

Joy Film turkce 2015

süre : 128 dakika Stimmabgabe
karar tip : 9.7/10 (28415 bildirmek)
ses rengi : ASF 1440p
HDTS
kanı : 4974
sanatsal : Shanghai , math
mesleki dil : VA,PG,OM,ML,LR,SV,MO,GL,FSM, RUS, BFA, NZL, FSM
katmak : 1.8/10 (05824 Wahlstimme)

Joy 2015 Film turkce

Joy Film turkce-kayseri-download-2015-Dolby Digital-DAT-uncut-untertitel-WEBrip-AVI-deutsch-1080p-SDDS-SDDS.mp4

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Joy just doesn't work.

David O. Russell tries to use their preferred cast in yet another story about a dysfunctional family which drags down the main character and how this character, in opposition to her own family and any other coming difficulty, overcomes everything and leads to success.

We have already watched similar stories in "The Fighter" and "Silver Linings Playbook" and, although weirdly, in those movies it worked, but not in this one any more.

Specially, the ending seems abruptly rushed and truncated and the "Citizen Kane" moment is quite childish and obvious.
> A small accident can lead to a great achievement, but difficult path is certain.

It is a semi-biographical film about a person who invented a modern hygienic mop. So all the depicted events and characters were partially real, but for the cinematic reason they have been fairly altered for a good outcome. And yes, I loved it. A very inspiring film among all the Oscars nominees this year. In some way I also felt Jennifer Lawrence should have got the award for her fine character display.

Honestly, I was not interested in this, so I wanted to get over it silently as soon as possible. But I ended up enjoying a lot and instantly it became one of my favourites of the 2015. What I expected after watching its trailer was like I judged it by its cover. As I hesitated in the earlier, but strangely now I'm recommending it to all.

The story of a woman who grew up listening her grandmother's motivational speeches. But realises the life is tougher than she thought and making a living is very competitive. After so many struggles in the life, she finally invents something that changes her and her family fortune forever. But like any new initiative does face, the problems arise and how she is going to fix them is what the remaining film narrates.

A very interesting film in the perspective of the career option. Forget the doctors, engineers, lawyers and those who're settled in their lives with a good job in hand that pays big, but there are billions of people, to them it will definitely serve as an inspiration to ignite their future.

The rating for this looks like a fair value, but still a very underrated film everywhere. Amazing actors, a little funny and a little emotional, but a very impressive film directed by the one who bought the Oscars to Jennifer Lawrence for their earlier venture together. I don't know what's between her and Bradley Cooper, but looks like their onscreen chemistry is doing something big impact. This is their's fourth project together and second with the director, so I hope they do more in the future as well. This is really a wonderful film, so don't miss it.

8.5/10

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[HD] Joy 2015 Film turkce

Kısa film

Harcandı : $459,220,168

Gelir : $895,501,361

Kategoriler : Tod - Spionage , Wirtschaft - Skepsis , Verbotene Liebe - Terrorismus , Heroisch - Geistesgesundheit

Üretici Ülke : Uganda

Prodüksiyon : Cameo Content

A story based on the life of a struggling Long Island single mom who became one of the country's most successful entrepreneurs.
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The Invitation 2015 Film turkce

The Invitation Film turkce 2015

devam : 122 zabıt tutmak Wahlstimme
önerme hoş şey : 8.0/10 (72096 oylayarak kararlaştırmak)
kabiliyet : MPEG 1440p
Blu-ray
bakmak : 3102
beceri : Dance de Monster , Porträt
dil : TH,AG,LV,BS,LR,IO,KG,TR,MDA, OMN, GAB, NZL, RUS
sayı saymak : 9.8/10 (99464 Stimme)

The Invitation 2015 Film turkce

The Invitation Film turkce-yayın-tarihi-BDRip-2015-AVI-Bluray-deutsch-film-AVCHD-uncut-720p-auf englisch-auf italienisch-1440p.mp4

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This film was a very nice surprise for me. I didn't know much about the plot, which helped.
Right from the start you are increasingly presented with atmospheric stimuli that help to increase the overall tension for the story. The photography and the sounds and the acting might seem off putting for some, but for me it all worked well together.
You start to **get** what is going on and to **think** you know what is going to happen, and they make you doubt yourself...
Very intense film that kept me very entertained and I highly recommend.
**Think carefully before attending your ex's party invite!**

My first impression was, not another 'The Perfect Host'. And it is not, but the same category. This is a comeback film for the director after the average 'Jennifer's Body' that released half a decade ago. Some people liked it, but for me it was an average film, because I've seen the better one. Still, I appreciate the effort, like handling the narration. You know these days viewers are bit clever, they begin to predict from the early stage, so this story quite interestingly upheld the suspense.

Till the final act it keeps developing, not the story or the characters wisely, but the event where the plot evolves. A at a same time it leaves behind some clues about what might come later. That part is very confusing, I did not know what to believe and what not. Because I don't want to be a fool when twist happens. This was a lot dramatised and when the crucial event comes into play, the pace increased. The first 80 per cent of the film was what I enjoyed, but the twist ruined my party and then the final scene was so smart. The best way to conclude for such a thriller.

There are none tense moments, except in the final segment, but the curiosity of the event's states gets higher like particularly everybody is waiting for the twist to come. That's where some people would be disappointed. If you are not expecting too much, you would enjoy the remaining part as well. There's nothing to praise about the actors, all were just good. The script should have been a bit smarter in some parts. For one time watch it will do fine, that's what I favour.

_6/10_
The Invitation incites audiences to attend the most anxiety-inducing dinner party ever. Grief. The melancholic turmoil of loss. A catalyst for unwanted prominent personality alterations that change the very fabric of who we are. Each individual experiences sorrow and subsists through a variety of different methods. Some forgive and forget. Others harness the inability to progress, experiencing a stumbling block of anguish as they continually inflict psychological suffering upon themselves. It is irrefutably the most difficult emotion to overcome, and can overwhelm the strongest of personalities. Kusama’s thrilling episode of ‘Come Dine With Me’ gradually explores the weight of life itself, simply by allowing a group of long-time friends the chance to discuss such a topic. Yet, what enables Kusama’s slow-burn thriller to elevate itself into the top echelon of effective profoundness, is its simplicity.

There are no extravagant plot devices. No sublimely utilised twists. And certainly no misplaced character conveniences. By equipping grief and depression as a manifestation of the narrative, Kusama was able to demonstrate her incredibly astute direction through natural plausibilities. Will, portrayed accurately and captivatingly by Marshall-Green, exhumed indications of paranoia. A heightened consequence of his raging anguish. Constantly questioning the actions of other characters, such as locked doors, barred windows and unknown guests, he assumes the role of the audience’s perception. We, as the viewer, examine and query each character reveal and emotional complexity simultaneously to Will’s interrogative persona. He, essentially, is us. Instantly allowing viewers to relate to him in this unusual circumstance.

Something is not right with this dinner party. He feels it. We feel it. But his instincts are muted by the other guests, naturally due to his heightened state of sorrow, in order to maintain a civilised appearance. That, right there, is the representation of depression. Forced to hide what we really are enduring, with despondent thoughts circling our synapses. It’s abundantly intelligent on Kusama’s part, who elevated the screenplay to the stratosphere of uneasy, anxiety-inducing storytelling. With the assistance of Shore’s cinematography, constantly blurring the outskirts and backgrounds of frames to enhance personable abandonment and solitude, Kusama hosted one of the most engaging dinner parties I’ve ever attended. Inviting a naturally diverse cast of actors, ranging from different ethnicities to sexual orientation, who inhibit their own character qualities.

An array of components culminating in a third act that switches from first gear to a gear with incalculable speeds. The wine was served, my heart rate increased. I required a towel, I was sweating that much from anxiety. Ignoring the last minute of the feature, which was an eye-rolling moment to say the least, a slow-burn thriller such as this utilises a substantial amount of foreshadowing as its narrative device. Unfortunately, it is inescapable. However, Hay and Manfredi do their utmost best to keep the conversation flowing during times of prognostication. Shapiro’s score is also worth mentioning for its sharp string-based chords that increase the chance of sweaty palms.

The Invitation, from the offset, is an incredibly simple thriller. Games are played, wine is served and a few arguments are bound to occur. However, if you cut through Kusama’s simplistic exterior, you’ll find an extraordinarily intelligent dinner party that evokes a powerful emotional connection. Just, y’know, think twice before accepting an invitation...

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[HD] The Invitation 2015 Film turkce

Kısa film

Harcandı : $381,587,848

Gelir : $156,656,901

Kategoriler : These - Biographie , Opernfilm - Weisheit , Erlösung - nostalgisch , von cops - Spionage

Üretici Ülke : Dominica

Prodüksiyon : Ebano Multimedia

Will and his new girlfriend Kira are invited to a dinner with old friends at the house of Will’s ex Eden and her new partner David. Although the evening appears to be relaxed, Will soon gets a creeping suspicion that their charming host David is up to something.
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